In several places, it feels like it has been artificially limited and so its use often feels proscriptive. Its painterly art style is made all the more appealing by A Link Between World’s otherwise generic cartoon appearance and, in reality, so much more could have been made of it. While merging remains key to several of the game’s puzzles throughout, there’s one early temple and a boss fight later on that use it to particularly excellent effect. This is responsible for many moments of “Ah-ha” game design, especially in the opening hours as your brain adjusts to the potential of this innovative mechanic and your eyes get used to scanning the edges of a room for clues or the unbroken run of a flat hillside for potential secrets. One is its headline unique selling point: the ability to merge with a flat vertical surface to become a 2D drawing and so move around corners, through narrow gaps and past many obstacles. There are two main design choices that have affected the overall structure of A Link Between Worlds. In all, A Link Between Worlds feels less accomplished a use of its host platform than the last original handheld Zelda title I played, which was 2007’s Phantom Hourglass. It features functional but unspectacular use of the touch screen for map and inventory duties, some compact dungeon design and a critical path that can be blown through quite comfortably over the course of a weekend.Įqually, while some of its 3D elements are very well implemented they are rendered ultimately superfluous to the experience by the necessity of having to function just as well in 2D.
With this to live up to, A Link Between Worlds was always going to struggle to evoke the same emotional response but what I’ve been surprised by is how hit and miss it is from a design perspective, too. Nintendo has since bettered it in design terms but the memory of experiencing A Link to the Past during my formative years remains one of the most enduring video game memories of my childhood. I came to A Link Between Worlds excited by the prospect of a sequel to A Link to the Past, which remains one of my favourite Zelda games.
In fairness, not all of the blame can be laid at the feet of the game. Playing through The Legend of Zelda: A Link Between Worlds has been a story of mixed emotions, with some wonderful touches tempered by missed opportunities and genuine joy rivalled by unmet expectations. The Legend of Zelda: A Link Between Worlds launches on 3DS and 2DS in North America and Europe on Friday November 22. The game has a snazzy Music Box special edition available via select retailers, as well as a dedicated console bundle.Īonuma has also been discussing the slight amendments made to the 2DS version of A Link Between Worlds and acknowledged that, overall, “The game itself is designed so that it’s quite easy to play, and quite easy to proceed.” Zelda producer Eiji Aonuma has previously stated that A Link Between Worlds is a deliberate attempt to try something new with the Zelda formula.
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Stace Harman gives his impressions on Nintendo's latest in his full write-up. The Legend of Zelda: A Link Between Worlds suggests that some things should be left untouched.
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